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Kamis, 11 Desember 2014

Ebook Download Adult Telephone Protocols: Office Version

Ebook Download Adult Telephone Protocols: Office Version

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Adult Telephone Protocols: Office Version

Adult Telephone Protocols: Office Version


Adult Telephone Protocols: Office Version


Ebook Download Adult Telephone Protocols: Office Version

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Adult Telephone Protocols: Office Version

About the Author

David Thompson, MD, FACEP, has over 20 years of experience working in telehealth and clinical informatics. He has developed a comprehensive set of telephone triage protocols for adult and women’s health that are used in medical call centers and doctors’ offices in the United States, Canada, and internationally. These telephone triage protocols are available in electronic health records and triage software. He has authored or led clinical content development used in artificial-intelligence, symptom-checker, health-bot, consumer-engagement, and telemedicine applications. Dr. Thompson received a Bachelor of Science in engineering from the University of Illinois, where he subsequently earned his medical degree. He is board-certified in both internal medicine and emergency medicine, having completed a dual residency at Northwestern Memorial Hospital at Northwestern University. He is a Fellow in the American College of Emergency Physicians. Dr. Thompson is currently a part-time faculty attending in the Northwestern Memorial Hospital Emergency Department. Prior to working at Northwestern Memorial, Dr. Thompson worked in the MacNeal Hospital Emergency Department, where he served as medical director and chair of the Department of Emergency Medicine, and also provided medical direction over the medical call center. Dr. Thompson is founder and CEO of Health Navigator, LLC. He is the principal architect of the Health Navigator clinical vocabulary, natural-language processing engine, and decision-support tools. He is co-founder of Schmitt-Thompson Clinical Content, LLC. Dr. Thompson lectures in the areas of digital health, telephone triage, physician documentation, medical coding, and patient satisfaction.  

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Product details

Spiral-bound: 578 pages

Publisher: American Academy of Pediatrics; Fourth edition (October 1, 2018)

Language: English

ISBN-10: 1610021959

ISBN-13: 978-1610021951

Product Dimensions:

9.1 x 1.2 x 10.8 inches

Shipping Weight: 3.8 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#190,017 in Books (See Top 100 in Books)

I do phone triage at a family practice clinic, and I am so grateful for this book. It is very in depth, providing reasoning behind each question to ask the patient. It provides conversational guidance and suggestions for speaking to patients and providing reassurance. Sometimes its harder for my words to come out smoothy, and I have days with less confidence about communicating with the public. Talking on the phone to stressed out people is hard enough, and this book makes it a little bit easier to navigate tough conversations.

Solid text for nursing triage phone centers.

Good resource for triaging and treating patients!

Physicians and nurses are thrilled with the ease of use and avise this book offers. The physicians are now comfortable with their nurses giving advise without first checking with them.

This is done in a very general way and not to the detail oriented purpose that I need.Will return this.

all good

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Minggu, 16 November 2014

PDF Download , by Stephen Bodio

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Rabu, 12 November 2014

Ebook Adobe Flash CS4 Professional Classroom in a Book

Ebook Adobe Flash CS4 Professional Classroom in a Book

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Adobe Flash CS4 Professional Classroom in a Book

Adobe Flash CS4 Professional Classroom in a Book


Adobe Flash CS4 Professional Classroom in a Book


Ebook Adobe Flash CS4 Professional Classroom in a Book

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Adobe Flash CS4 Professional Classroom in a Book

About the Author

The Adobe Creative Team of designers, writers, and editors has extensive, real-world knowledge of Adobe products. They work closely with the Adobe product development teams and Adobe's Instructional Communications team to come up with creative, challenging, and visually appealing projects to help both new and experienced users get up to speed quickly on Adobe software products.

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Product details

Paperback: 368 pages

Publisher: Adobe Press; 1 edition (November 6, 2008)

Language: English

ISBN-10: 032157382X

ISBN-13: 978-0321573827

Product Dimensions:

7.4 x 0.7 x 9.1 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

276 customer reviews

Amazon Best Sellers Rank:

#1,283,338 in Books (See Top 100 in Books)

I would like to say thank you to the team of the author of this book. They have a done a great task to made this book for many people (include) me to learn premiere pro cs4. I never have any experience with premiere pro or video editing software before reading this book. But after I have completed it within 2 months, I really feel confident to do any video editing. The book has the following pro:- The author who wrote this book using a simple word to explain. Very easy to understand.- They use the color screen shot, which easy to capture the concept.- They have prepare a great practice file which is easy to learn after complete each lesson.- They have divide the complex topic into a small chapter in the book which is very easy to learn and to follow.If you are the beginner, this book is for you.For the cons of this book are:- The font are two small to read. I have a difficulty with my eyes to read the book in small font.- Each chapter in the book they have theory and practice. But in my opinion, the theory should be divide in one section and the second section is practice. So it is easy for people spend the time to read all the concept then start doing the practice just one time. Instead of read the concept, practice and read the concept again.- Some of the point in the book they said that it is beyond the scope of this book. If there is another book, this book should be tell read which book that they should read after they completed this book. But this book didn't tell any other book for further reading.In summary, this book is target to the people who is hurry to learn the video editing in adobe premiere pro because its writing style was target to the beginner level whose want to learn its fast.Even I have found some cons on this book, but I didn't down grade it to 4 starts. I still give it 5 star because I found this book teach you a lot to get master on the complex software...Good luck,Kanel

Adobe Premiere Pro CS4 CIBI have used Premiere infrequently over the years since version 5 and it was time for a refresher and to become acquainted with the new features. The last Premiere CIB book I purchased was 5.0 (1998).The book touches on a wide range of key features in a concise manner. If greater depth is needed, the book refers the reader to additional resources. I felt that the range of topics covered and the depth of treatment was good. This book is targeted at beginning and intermediate Premiere users and is not intended to make anyone an expert.I completed almost all of the exercises and felt that the book fulfilled its mission and was well worth the cost and the time/effort.I recommend that when copying the DVD to your hard drive, you place it in the recommended location. I have a separate Books & Training folder on my D: drive and copied the DVD there. Every time I opened a project for the first time the "Where is file" dialog opened. Also, this non-standard location caused some Dynamic Link exercises to produce unsatisfactory results and display the red Media Offline image.Re the complaints by some of the early reviewers regarding the files on the DVD, I recall only one switch setting (p. 262, noted below) which was incorrect. I received my copy March 9, 2010.While some may quibble whether all of the items below are errata, my frustration was sufficient to knock off one star for the book. When the Adobe software is brought into the mix, my frustration would cause me to knock off two stars.I have submitted my errata list to Adobe Press.=================ErrataThe AdobePress & Peachpit errata list contains only one item (this was already corrected in my printing [ISBN-13: 978-0-321-57385-8, 9 8 7 6 5 4 3]):Page 252: Step 2 should read "Open the Lesson 13-2 Working sequence."My errata list:p. 34, Retakes: "Add Shot Placeholder" -> "Add Take Placeholder"p. 104, step 2 (at top of page): The image should show the gap after writers2.avi, which was created by p. 102, step 8. Either that or Ripple Delete needs to be applied to the gap.p. 191, Order counts: "works from bottom to top" -> "are applied top to bottom"....Explanation: Either the statement is incorrect as written or I am misinterpreting what "works from" is supposed to mean.p. 242, step 12: (See errata for p.263)p. 262, step 5: In the Practice sequence of Lesson 14-2.prproj the Toggle Track Output of the Audio 1 track has been set (unintentionally) to not output the track (i.e., the Toggle is blank rather than displaying a speaker icon). It is necessary to click Toggle Track Output to hear the track.p. 262, step 6: To duplicate the image shown below Step 6: Note that to keep the audio panned to the right after the second keyframe you will have to change it to a Hold keyframe. The alternative is to create a third keyframe at the end of the clip. Otherwise, the pan will return to center by the end of the clip.p. 263: Note (in margin): An alternative cause of not hearing all 6 channels is that Edit > Preferences > Audio Hardware > Default Device needs to be set to something other than Premiere Pro WDM Sound.....Explanation: For my Creative Audigy 2 I had to set the Default Device to Creative ASIO. Win7 64-bit.p. 265, step 2: "...by clicking Channel Volume." -> "...by clicking Volume:Level."p. 265, step 3: "Select Left." -> "Select Left from the Channel Volume entry."p. 338, steps 4-6: Player controls may be missing from Adobe Reader on Vista x64 or Win7 x64. Apparently there is a bug related to Adobe Reader/Quicktime/Windows_x64.....Details as of March 25, 2010: I found references to this problem starting in November 2008, but I gave up researching/testing fixes because I do not intend to use Clip Notes anyway. My config: Win7 x64, Adobe Reader 9.3.1 (the latest), and Quicktime 7.6.5 (the latest).p. 342, step 5: If you didn't copy the CIB DVD files in the recommended folder, you will encounter the red "Media offline" image. Click the Project panel, press ~ to make it full screen, and you will see that the media is offline (also indicated by the file icon). Right-click on the file icon for each of the three offline files and select "Link media.." as was discussed in a previous lesson. Press ~ again to return to normal view.p. 357, step 5: "...select the lower third/ae_practice composition..." -> "...select the lower third composition..."....Explanation: The "/ae_practice" suffix appears in the Project panel after import, but not in the Import Composition dialog box.p. 360, step 4, second paragraph: "You may need to render the sequence in Adobe Premiere Pro to set it play back smoothly." -> "You will probably need to render..."....Explanation: As originally written this seems a little disingenuous. Maybe if you perform the playback on a supercomputer you will not have to render it to see it play smoothly. It took 4 minutes 22 seconds to render the 29 seconds of the DV-quality sequence. My config: Asus P6X58D motherboard, stock i7-920 2.67GHz (4 actual processors; 8 virtual processors), 12GB 1600 memory, no RAID 0. I am considering the purchase a 1920x1080 camcorder but render times like this for DV make me question the wisdom of doing so.p. 365, step 3: "Adobe Premiere Pro offers nine export options..." -> "Adobe Premiere Pro offers at least five export options..."p. 369, step 6: "The export will be added to Adobe Media Encoder." -> "An Export Frame dialog box will open with the frame number appended to the file name. Click OK."p. 369, step 7: Delete this step.p. 372, step 1: "To begin, open the Format menu..." -> "Export the same sequence as in the previous exercise. To begin, open the Format menu..."p. 374, step 5: "...is selected and click OK." -> "...is selected."p. 374, step 6: "Name the file and click Save." -> "Name the file and click OK."p. 374, steps 7-10: (bugs in Adobe Media Encoder or Device Central?) The video was frozen at the first frame while the audio played correctly. The player controls did not work. Note that selecting Fullscreen Mode in step 8 will rotate the video but not the phone so you need to click the CCW rotation icon near the bottom of the window.p. 382, step 3: "Name this chapter marker Dixie." -> "Double-click on the marker icon or, if the Current Time Indicator is still over the marker icon, press * on the numeric keypad to open the Marker dialog box. Name this chapter marker Dixie and press OK."....Explanation: While creating numbered markers was presented earlier in the book, I don't recall any training on opening and using the Marker dialog.p. 389, step 5: If you didn't copy the CIB DVD files in the recommended folder, you will encounter the red "Media offline" image. Unlike Premiere, Encore does not have a feature to locate assets missing from a Premiere project.p. 391, step 3. Encore hung while switching to Blu-Ray. Switched to Premiere to shut it down and it hung. Windows Task Manager would not start so I could not shut down Encore and Premiere down. Had to perform a hardware reset. My system has been very reliable so I suspect that Dynamic Link is fragile and that going back and forth between Premiere/AfterEffects/Encore in the preceding lessons had pushed it too far. Rather than re-doing the entire Encore chapter from scratch I gave up with one page of the book to go.With the frequent errors toward the end of the book I got the impression that either a different writer worked on those chapters or the testers were getting weary or sections were extracted from a previous version of CIB.==================Premiere Pro CS4 bugs/inconveniences which you may encounter (version PP4.2.1 on Win7 x64):o Checkbox "Display only exact filename matches" in the "Where is the file" dialog box has no effect. Works correctly on XP x32.o The Effects Control panel does not honor the standard keyboard shortcut of entering time from the numeric keypad. If you want to go to a specific time in the Timeline, Program Monitor, Source Monitor, or Reference Monitor you can simply enter the time (no punctuation (e.g., ; or .) needed). But this does not work when the Effects Control panel has focus. (Note that if one or more clips are selected when using this technique, the clips are moved so that the in point of the first clip aligns with the entered time.)o Activating the Effects panel does not place the cursor in the search field. This is probably a minor issue if you select the Effects panel with the mouse, but it is more of an inconvenience if you got there via Shift+7.o The image on External Devices (Program Monitor > Playback Settings) is not updated real time while manipulating an effect in Effect Controls while the Program Monitor > Display Mode is set to one or more of the Vectorscope/waveform monitors. The work around is to leave the Program Monitor set to Composite Video and set the Reference Monitor (Window > Reference Monitor) to display the Vectorscope/waveform monitors.o Applying the Reverb effect to a 5.1 submix only outputs to the Front Left and Front Right channels, that is, only the two leftmost VU columns in the mixer display for the Master bus display activity. (I tried a variation on Lesson 14-5: add a 5.1 submix, direct Audio 6 and Audio 7 to that new submix, and add the Reverb effect. With Reverb bypassed everything is fine; with Reverb enabled, there is no output. Maybe Premiere is using the stereo version of Reverb rather than the 5.1 version.).

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Senin, 27 Oktober 2014

Free Download ACSM's Resources for the Exercise Physiologist

Free Download ACSM's Resources for the Exercise Physiologist

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ACSM's Resources for the Exercise Physiologist

ACSM's Resources for the Exercise Physiologist


ACSM's Resources for the Exercise Physiologist


Free Download ACSM's Resources for the Exercise Physiologist

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ACSM's Resources for the Exercise Physiologist

Product details

Hardcover: 472 pages

Publisher: LWW; Second edition (June 13, 2017)

Language: English

ISBN-10: 149632286X

ISBN-13: 978-1496322869

Product Dimensions:

8.8 x 1.2 x 11.2 inches

Shipping Weight: 3.2 pounds (View shipping rates and policies)

Average Customer Review:

3.3 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#48,293 in Books (See Top 100 in Books)

Currently studying for my EP-C and this book has a good amount of content that is addressed on the test (I am retaking it).On the publisher's website, they state the book includes "student and instructor resources, including fully searchable online text, videos, a test generator, PowerPoint presentations, and an image bank". This is very misleading as only 21 videos pertaining to patient assessment are available to students. An online text is not even included. They display the instructor resources for you, but you cannot click them, which is a little frustrating.Therefore:1. Buy a used/rental copy and save some money, as you are not gaining much2. Supplement this purchase with the ACSM Certification Review text since the online resources are lackingI emailed the publisher and told them that they should amend their website listing. I tried asking for instructor access, and they said that would undermine classroom integrity (which makes sense when it comes to the test generator).I will update this review after my exam.

I am very disappointed in this purchase. I bought this book because the description left me under the impression that it came with both the textbook and an access code for ThePoint and PrepU. When I received the book, it did come with an access code, but after speaking directly with a representative from ThePoint, apparently the access code only grants me access to the online version of the book, NOT PrepU. Why I would need access to the online book when I have a hard copy is beyond me... Bottom line, DO NOT buy this textbook if you need access to PrepU...

Getting ready to take my EP-C certification exam and it has been an excellent resource for studying. Glad I picked it up!!

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Kamis, 23 Oktober 2014

Download Home in the Valley: A Western Sextet, by Louis L'Amour

Download Home in the Valley: A Western Sextet, by Louis L'Amour

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Home in the Valley: A Western Sextet, by Louis L'Amour

Home in the Valley: A Western Sextet, by Louis L'Amour


Home in the Valley: A Western Sextet, by Louis L'Amour


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Home in the Valley: A Western Sextet, by Louis L'Amour

Review

“L’Amour is the kind of storyteller who makes the wolves come out of the woods to listen.”—People magazine

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About the Author

Louis L’Amour was born Louis Dearborn LaMoore in Jamestown, North Dakota, in 1908. He published his first work at the age of eighteen and went on to write scores of adventure and Western stories, becoming one of the most popular writers of all time. He died in 1988 at his home in Los Angeles.

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Product details

Paperback: 176 pages

Publisher: Skyhorse (September 16, 2014)

Language: English

ISBN-10: 1629146625

ISBN-13: 978-1629146621

Product Dimensions:

5.5 x 0.5 x 8.2 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

84 customer reviews

Amazon Best Sellers Rank:

#1,444,732 in Books (See Top 100 in Books)

Stories in this collection:West of the TularosaMistakes Can Kill YouThe Man From Battle FlatThe Lion Hunter and the LadyThe One for the Mojave KidHome in the ValleyA couple of these are also in other collections, but the stories are great nonetheless. I enjoy escaping to the old west with a good L'Amour story, and these do not disappoint.

A fine fast read where you as the hero feel the grit in your teeth, smell the gunsmoke, feel the weight of carrying a wounded comerade, feel the rich blush of new love, all in the setting of great high desert/mountain country, lush grassy meadows, glossy cattle fattening under the sun and enriching the earth with with fresh feed grass/hay. Well watered pastures and feedlots are well defined by rocky outcroppings, arroyos, ridges sculpted by nature to make every landhold different and special. Add enough good people who work hard and relentlessly to reap the wealth thet the land and herds with yield and enough bad guys who want to take advantage of the short cuts of thievery, murder, double dealing, to become wealthy through someone else's investment in the virtues of an honest life. Then there is the fine line between being "good" and "bad" and how hard that is to figure out when your life is always on the line.

Yes, there will always be oddities with the writing: character starts across street with rifle in hand, but has no rifle when he gets to other side. Forget the niceties, that is NOT why one reads a Louis L'Amour! This is authentic flavor and spice of the old west, peopled by characters and personalities too big for small print. It is no wonder his stories are often put on the big screen - you cannot fake the bigger than life heroes and humbler than dirt egos of the main characters juxtaposed by the wicked villains and grasping evil-doers who always get their comeuppance when the hero hits the scene! They save the day and often the girl! What's not to love!

This book of great western short stories reminded me just how much I love Louis L'Amour as an author. Once I downloaded it onto my Kindle and began reading, I realized that I had read these stories years ago. They were even better this second time around. The same visuals I remember came back to life from my first reading and I smiled all the way through every story.. again! If you want to escape to the old west, this is an easy way to do it.

I never really liked short stories, but Louis L'Amour's tales are always winners, short or full length. His masterful descriptions of people and land are fascinating. I still admire the strong sense of right and wrong that is captured in his books. There's too little of that now.

This is a series of short story western's. The stories are all about different characters. The author does a good job getting the reader into the characters so quickly that by the end of the story you feel you know the lead character well. I will be looking for more stories by this author.

These six tales are well worth reading. I especially enjoyed the story about Cat Morgan- a man who captures mountain lions. Every story has L'Amour's signature Western style, with tough men facing big odds in the name of justice. These very much resemble the author's full-sized novels and compliment a collection very well. Also, the introduction goes into detail about L'Amour's career as a short story writer in the early days before he became world famous.

Fine western stories. Great description causes exciting climax-endings. I completed the stories in two days. This book is really difficult to put down until you have finished the last page.

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Selasa, 30 September 2014

PDF Ebook Lives of the Artists: Portraits of Ten Artists Whose Work and Lifestyles Embody the Future of Contemporary Art, by Calvin Tomkins

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Lives of the Artists: Portraits of Ten Artists Whose Work and Lifestyles Embody the Future of Contemporary Art, by Calvin Tomkins

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Lives of the Artists: Portraits of Ten Artists Whose Work and Lifestyles Embody the Future of Contemporary Art, by Calvin Tomkins


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Lives of the Artists: Portraits of Ten Artists Whose Work and Lifestyles Embody the Future of Contemporary Art, by Calvin Tomkins

Review

“This is art history live.” ―Massimiliano Gioni, Director of Special Exhibitions, The New Museum of Contemporary Art“To match Tomkins in art of the brief life for keenness of wit and sharpness of observation, one must go back to Lytton Strachey.” ―Louis Auchincloss“Tomkins's access is astonishing . . . A deft biographer, he gives a lesson in his craft: how to balance present with past, the specific with the general, personality with context, features with flaws--all in the space of 20 pages. Tomkins is a ruthless observer. . . . He is also a generous critic of the cult of artistic personality. . . . Books [from] the New Yorker have become a small industry, but not all are as intimate as this one.” ―Publishers Weekly (starred review)

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About the Author

Calvin Tomkins, winner of the Clark Prize for art writing, has written more than a dozen books, including The Bride and the Bachelors, the bestseller Living Well Is the Best Revenge, and the critically acclaimed biography Duchamp. He lives in New York City with his wife, Dodie Kazanjian.

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Product details

Paperback: 272 pages

Publisher: Holt Paperbacks (January 5, 2010)

Language: English

ISBN-10: 0805091440

ISBN-13: 978-0805091441

Product Dimensions:

5.3 x 0.7 x 8 inches

Shipping Weight: 13.4 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

19 customer reviews

Amazon Best Sellers Rank:

#408,670 in Books (See Top 100 in Books)

I am a general reader and a general lover of the visual arts, who often finds contemporary conceptual art difficult to keep up with. I turn to books like Lives of the Artists in an attempt to keep current and for interesting conversation. Lives of the Artists, with its emphasis on the artists' lives rather than art genres and trends makes it more interesting conversation than edification, but that's okay.Tomkins, art critic for The New Yorker, had years of articles from which to choose, and he chose biography as his organizing theme, a la Giorgio Vasari, of the movers and shakers in the contemporary international art world. His selection skews to the most controversial, provocative and/or innovative: Jasper Johns, Maurizio Cattelan, Cindy Sherman, Damien Hirst, Jeff Koons, James Turrell, Julian Schnabel, John Currin, Richard Serra and Matthew Barney. Tomkins does a good job of introducing the artist in a current scene, before cutting to the back story to scribe the arc of career, inspiration and critical reaction. This mostly works, though the first profile in the collection, of Damien Hirst, had the ring of a VH1 "Behind the Music" rock star story. Tomkins provides updates on each career, current as of 2008 when this book was prepared. Alas, there are no illustrations, no images of the subjects' work or of them.One thing I could not help but notice about the collection: though the author notes in his preface that there are thousands of working artists living and producing in New York City alone, and he had years of his own profiles to select from, he chose a line-up that is starkly white, and with the exception of Cindy Sherman, male. Women mostly appear as bit players in these stories, as girlfriends, wives, muses, studio assistants and, in a couple of instances, "porno" subjects. Is this representative of the world of art right now? It feels more like the night before the women's and civil rights movements injected a more inclusive diversity into our cultural reflection.

Capsule reviews of the lives and works ten important artists. No pics, which a critic quoted on the back cover claims to be an advantage. Yeah, yeah -- none of those distracting images! With the internet that's not a big disadvantage, but it's certainly more distracting to get up and google than to turn the page.Written in a breezy, well-informed style which I generally like -- I've read a number of Tomkins' books -- but several non sequiturs slipped by his editor. I occasionally got the feeling that the text had been dictated, with minimal revisions. But lots of good facts and impressions, from an author who has spent, in some cases, decades getting to know his subjects.

I love this writer. He has a bit of everything, intelligent, but not pretentious. Insightful and just enough juice. He has a sense of the times and ART. I LOVED Living Well is the Best Revenge, How can you not love that Title. I use it all the time to get through difficult times.This is a tremendous read, RICH and extremely resourceful. The subjects are all intelligent, successful human beings, a great study and the work is brilliantly portrayed, VIVID. Tomkins is an extremely visual writer. Brilliant.This is also an important piece of work for the Arts. Its a testament to the times of the artwork and the lives of the artists. Great Work.

I love this book. A great look at wildly different artists who have made their mark in Western culture and, thanks to Calvin Tomkins, in me. Interesting, intimate, personal but never fawning or self-conscious.One really big complaint though...not the writing but eBook technology: why is "performance" always spelled "per for mance?" Many other words were consistently mangled. Several sections were marred by this kind sloppy formatting that I seriously doubt was seen in the "analog" version. I think I deserve my money back. I'm sure if I submitted a manuscript with these kind of errors to Amazon, I'd be laughed out of a contract. Fix it!

Great profiles of contemporary artists by the New York writer Calvin Tompkins. By combining biography, personal interviews and insights into the craft of each artist, Tompkins leaves the reader feeling as if she had been there as well. Like their work or not, Tompkins helps you to understand it.

Great book! I do like the writing and conversation with different artist. It is worth to read it. I will read again when have more time.

Tompkins gets to know the artists, he visits their homes and studios, he parties with them and meets their significant others. He is not judgemental. He doesnt offer his opinions and for the duration of his essays I felt as if I had a window into the thought process and lives of the artists. This book is well worth reading if one is interested in art, especially contemporary art, and want to know about the artists who create it. It is readable, well written and fun.

Something of a back stage view of many of the hero's of this days art and no doubt the sight to today given to future generations. Excellent.

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Senin, 29 September 2014

PDF Ebook Earth Science (AGS)

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Product details

Hardcover: 396 pages

Publisher: AGS Pub (January 30, 2006)

Language: English

ISBN-10: 0785436359

ISBN-13: 978-0785436355

Product Dimensions:

7.6 x 0.9 x 9.4 inches

Shipping Weight: 2 pounds

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#763,643 in Books (See Top 100 in Books)

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Jumat, 19 September 2014

Free Download Arrogance and Accords: The Inside Story of the Honda Scandal, by Steve Lynch

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Arrogance and Accords: The Inside Story of the Honda Scandal, by Steve Lynch

Review

For all of the things right about Honda in the 1970s and 80s, there was something terribly wrong inside the house of Honda. Evidence suggests that high-ranking U.S. executives were shaking down their own dealers for cash or, in some cases, were forcing dealers to make the executives literal partners in their franchises. In return, dealers were allotted more cars - there were never enough to go around - or better yet, additional dealerships. Former Honda marketing executive Steve Lynch covers it all, from a unique insider's perspective, in Arrogance and Accords: The Inside Story of the Honda Scandal. Commendably, Lynch handles the story with balance, never tearing into personalities for their transgressions, but simply reporting the story. Arrogance and Accords is often fascinating, always compelling. It should be required reading in business-ethics courses. Maybe some of Honda's former executives could teach the classes as part of their work-release program. -- Ed Wallace - Car and Driver magazine, February 1998Steve Lynch, a former Honda marketing exec and author of Arrogance and Accords: The Inside Story of the Honda Scandal, describes a scene in this book in such extraordinary detail that it stays with the reader throughout the 300-plus pages that chronicles the largest commercial corruption case in U.S. Lynch tells the sordid tale with a perspective and authority that only he can provide - the Santa Paula dealership, for example. Lynch was there, and he confesses that "he was no choir boy." -- Michele Krebs - Autoweek magazine, February 16, 1998

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About the Author

Steve Lynch grew up in the shadow of the Studebaker automobile factory in South Bend, Indiana, and attended Indiana University. Lynch spent 13 years in the world of Honda, rising from a Honda dealership showroom floor to the executive offices of American Honda Motor Company, where he was in charge of regional marketing. Lynch also worked for Honda's advertising agency. He lives in Dallas, Texas.

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Product details

Hardcover: 310 pages

Publisher: Pecos Press (November 19, 1997)

Language: English

ISBN-10: 0965776611

ISBN-13: 978-0965776615

Product Dimensions:

6.5 x 1.2 x 9.5 inches

Shipping Weight: 1.4 pounds

Average Customer Review:

4.5 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#278,860 in Books (See Top 100 in Books)

The author's accounting of the events were fascinating, especially due to how unfamiliar I was with the state of American Honda throughout the 80s. I would quickly recommend to any car enthusiast.My only gripes are that the author had a habit of being a bit repetitious, and had a long cast of those involved, sometimes adding more anecdotes are irrelevant information than was strictly necessary, but was overall appreciated.

I grew up in the car business during this time and only heard about this. This book brought me into the story and gave me a good understanding of some of the way these (still dealers) got their start in the business. And not in a good way.

I loved the book though it made me angry. I and sure that the Honda Corporation isn't as corrupt as the individuals in this book were, and hopefully they (Honda) have established some morals as to how their executives conduct themselves. But, the damage has been done! This book made me angry at how greed runs so rampant in the auto industry. Angry how such a ruthless, vile human being could be held in so high regard by a sporting body. This book has made me decide to never look at a Honda automobile ever again, and I did own one. And every time I watch a NASCAR race and a Hendrick car is leading, I will always question the legality of that car! Thank you to Steve Lynch for writing a powerful book about how power and money can be so corruptive! I highly recommend this book for anyone who is a fan of Honda cars, and for anyone who is a fan of any driver who works for Rick Hendrick. It will open your eyes!

This apparently out-of-print book exposes a side of Honda USA that is shockingly different from the image Honda has cultivated world-wide. It reads like a novel about the Mob, but is real stuff about the "good old boys" at the USA arm of Honda. Bribes, shakedowns, intrigue, threats, suicides all part of how the executives and managers in the automobile distribution chain made illegal millions extorted from dealers. After reading this book, I'll never look at an Accord with the warm feelings and regard I once had toward this flagship model -- nor the company behind it.

A gift, o feed back

Great true story with a proper insight to the automobile industry

Steve Lynch has a passion for Honda automobiles. Such passion helps animate and propel his eyewitness account of the long-running bribery that occurred within Honda Motor Company's American branch.Lynch's love of Honda shows in his opening account of the dismal state of the American automobile scene circa 1981. There is a certain glee with which Lynch contrasts the high quality of Honda's product with the lesser quality of American marques. Such contrasts in quality proved important, as Honda was able to sell cars without extensive marketing campaigns.But as Honda became more successful, bribery and graft within the American division grew higher and more audacious. The prince of payola at American Honda was John "Jack" Billmyer, who "wallowed in the kickbacks of dealers" throughout the country. Following in Billmyer's footsteps was his successor as chief of national sales, Stanley James Cardiges, nicknamed Jim Car-Jesus, The God of Honda automobiles.One of the biggest dealer-influence-peddlers who played ball with Billmyer and Cardiges was NASCAR team owner Rick Hendrick. Hendrick and Billmyer went back to Rick's youth as a hot rodder in North Carolina, and Billmyer was instrumental in getting Hendrick going in car sales. Lynch shows how Hendrick wielded undue influence with the company and was thus able to acquire far more car stores than anyone else. "All it took," writes Lynch, "were a few gifts."Lynch notes that most car companies limit dealers to about six stores, but Hendrick didn't believe such a rule should apply to him, and in Honda he found a company that officially did not have such a rule.Lynch details how Hendrick used bribes and influence in Honda to bankrupt rival dealers - such as William Van Dalsam of California and Dick Young of South Carolina - and then poach their stores. A story not mentioned in the book adds to the scenario - reportedly, former NASCAR driver Dick Brooks was approached by Hendrick, who wanted to purchase his three dealerships. Brooks refused, and next thing he knew, cars slated for his shops were going to Hendrick's facilities.Lynch carries the story through the trial and convictions of over 22 defendents, including Hendrick. There is a hint of disappointment in Lynch as he notes that, with Hendrick's guilty plea to one count of mail fraud (pertaining to one of the largest bribes to Cardiges), the probe of the Honda scandal seemed to close.Lynch also notes a lesser-reported angle of the story - how Hendrick reportedly also bribed Lexus. Given this record, one has to wonder if Hendrick has used such tactics with General Motors as well, given the near-monopolistic clout and engineering backing from GM his NASCAR race teams wield.Not just NASCAR fans, but anyone interested in cars should read this book.

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Minggu, 17 Agustus 2014

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LPIC-2 CERT Guide

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Product details

Series: Certification Guide

Hardcover: 864 pages

Publisher: Pearson IT Certification; 1 edition (June 11, 2016)

Language: English

ISBN-10: 0789757141

ISBN-13: 978-0789757142

Product Dimensions:

7.6 x 2 x 9 inches

Shipping Weight: 3.5 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#1,141,447 in Books (See Top 100 in Books)

Be aware. You will receive NO INSTRUCTIONS on how to use the practice test code Amazon emails. I spent a long time emailing Pearson support before getting instructions on how to use it. To use it download exam software from Pearson's website (Amazon won't allow me to put the URL so you may need to contact Pearson support to find it) then follow the install instructions to use your access code.The layout of the book, content and practice exam seem to be solid other than the issue mentioned above.

I bought Comptia Linux + / LPIC-1 and other Comptia / Pearson books, so I already had the Practice Test installed on my computer, I just needed to put the code in the software and the download was done normally.But the CD did not come with this book, since the others I bought came with the software on CD.So this can make the person really spend some time to get instruction to how download the practice test.

I recently completed my 201 exam. I must say this book is in dept compared to other materials I've used. Would definitely recomment

From an informative point of view it is a very good book, very well explained for a beginner. However, you need much more than what it gives to actually get a LPI-2 Certificate.

I just bought this book , i am gonna read it . I hope it has a lot of labs and it will be enough for the Exam . I will give my feedback as soon as i take the exam.

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LPIC-2 Cert Guide: (201-400 and 202-400 exams) (Certification Guide) PDF

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Rabu, 13 Agustus 2014

Get Free Ebook The Dane County Farmers' Market: A Personal History, by Mary Carpenter

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The Dane County Farmers' Market: A Personal History, by Mary Carpenter

Review

"In a sense, the thirty-year history of the market is played out every Saturday on the Square for those patient and observant enough to notice the changing landscape."

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From the Back Cover

"In a sense, the thirty-year history of the market is played out every Saturday on the Square for those patient and observant enough to notice the changing landscape."-Mary Carpenter

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Product details

Series: Wisconsin

Paperback: 200 pages

Publisher: University of Wisconsin Press; 1 edition (May 21, 2003)

Language: English

ISBN-10: 0299184641

ISBN-13: 978-0299184643

Product Dimensions:

8.5 x 0.5 x 10 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#5,315,248 in Books (See Top 100 in Books)

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Minggu, 10 Agustus 2014

Free Ebook She Made Friends and Kept Them: An Anecdotal Memoir, by Fleur Cowles

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She Made Friends and Kept Them: An Anecdotal Memoir, by Fleur Cowles

From Publishers Weekly

Cowles can boast of having known Everyone Who Was Anyone for the past 50 years, and she does. She lists in the index in this memoir more than 1000 of them, but only a few receive more than an obligatory paragraph no more exciting than a listing in Who's Who. And those who get fuller treatment are seen through a prism of banality and self-congratulation: she and the Queen Mother exchange hospitalities; Marilyn Monroe is a guest; Clare Booth Luce selects her to be "ambassador" at the coronation of Elizabeth II; she is in Africa on the very day and near the spot where Hemingway's plane was downed. Present at the signing of the Korean War armistice, she is cold though warmly dressed, and the landscape reminds her of a Braque painting. The trivia of her anecdotes are at odds with her once-flamboyant image when, as the former wife of Gardner Cowles, whose media empire included Look magazine, she parlayed his wealth and influence and her own ambition and talent into a career as editor, writer and painter, which provided entree into the social, artistic and political circles of the time. With his backing, she produced a spectacular magazine called Flair, which had a year's run in 1951 then folded. Now remarried, she has been living in England, where she paints, renovates old mansions, jets around the world and socializes with important people, as well as some "plain but interesting" ones. Copyright 1996 Reed Business Information, Inc.

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From Library Journal

Cowles is a painter, writer, and sometimes diplomat (she was President Eisenhower's special ambassador to the coronation of Elizabeth II), involved in political and charitable causes. She was also editor of Look and Flair magazines in the Fifties, the latter featured in a lavish "best of" volume being published simultaneously with this book (which includes a chapter devoted to the history of Flair). Her memoir is a breathless recitation of gossipy anecdotes concerning her personal relationships with well over 100 famous figures. Alas, while this autobiography is certainly wide in breadth, it is equally shallow, at times being little more than name dropping. The book is divided into sections such as "Saints and Sinners" (e.g., Mother Teresa, Joseph McCarthy) and "Show Biz" (Marilyn Monroe, Peter O'Toole). Appropriate for large public libraries, but not an essential purchase.?Janice E. Braun, Mills Coll., Oakland, Cal.Copyright 1996 Reed Business Information, Inc.

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Product details

Hardcover: 416 pages

Publisher: Harpercollins; 1st U.S. ed edition (October 1, 1996)

Language: English

ISBN-10: 0060187131

ISBN-13: 978-0060187132

Product Dimensions:

6.2 x 1.2 x 9.5 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,644,806 in Books (See Top 100 in Books)

Five stars-- this book entertains as well as educates even if the education is mostly on a superflous level.While on bed rest with one of my pregnancies, one of my girlfriends loaned me this. Like Kirkus Reviews indicates, it is full of triavialities and stupid tidbits. But what fun they are to read! No, I couldn't call up my girlfriends and gossip about these things-- not many 25 year olds know a lot about Gloria Swanson or have heard about the movers and shakers of two generations ago. It was fascinating to read of someone's life while in the midst of the people who were defining her era (including Fleur Cowles, herself.) Her contemporaries were true stars, people whose influence is still looked to by the flash-in-a-pan celebrities of today. She dined with Royalty when they were still powerful and knew people who had affairs that would make Bubba blush, but had enough class to be discreet about them.From someone who lives on "the other side" I cannot help but wish I had some of this woman's problems and scrapes, not to mention her panache at dealing with my own! Martha Stewart, on gracious living, doesn't hold a candle up to Fleur Cowles and for that matter-- I don't think that anyone does or ever will!

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