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Jumat, 25 Mei 2012

Free PDF Psychoanalysis: The Impossible Profession, by Janet Malcolm

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Psychoanalysis: The Impossible Profession, by Janet Malcolm

Review

"Janet Malcolm has managed somehow to peer into the reticent, reclusive world of psychoanalysis and to report to us, with remarkable fidelity, what she has seen. When I began reading I thought condescendingly, 'She will get the facts right, and everything else wrong.' She does gets the facts right, but far more impressive, she has been able to capture and convey the claustral atmosphere of the profession. Her book is journalism become art." -- Joseph Adelson, The New York Times Book Review"Miss Malcolm asks the questions that every patient has ever wanted to ask but knew it was hopeless...More momentous still, Miss Malcolm's questions get answers." -- Christopher Lehmann-Haupt, The New York Times"Malcolm provides an elegant, precise summary of the history and development of Freud's ideas...She has drawn a provocative portrait of one physician in Freud's impossible profession." -- Jean Strouse, Newsweek"Her treatment of the subject is original, rich and will reward anyone interested in the science or business of changing minds." -- E. James Lieberman, The Washington Post Book World

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From the Inside Flap

Through an intensive study of "Aaron Green," a Freudian analyst in New York City, New Yorker writer Janet Malcolm reveals the inner workings of psychoanalysis.

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Product details

Paperback: 192 pages

Publisher: Vintage; 1st Vintage Books ed edition (September 12, 1982)

Language: English

ISBN-10: 0394710347

ISBN-13: 978-0394710341

Product Dimensions:

5.2 x 0.4 x 8 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

23 customer reviews

Amazon Best Sellers Rank:

#303,505 in Books (See Top 100 in Books)

I had the good fortune to discover this book a full seven years after I terminated my rather long term psychotherapy which culminated in a classical analysis of at least several years. My analyst shared offices with Dr. Brenner, who features as a central figure in this book, and having read this, I can only interpret my experience with him as thousands of hours of evidence that he was a true and worthy disciple of the cheerful yet austere doctor whom Malcolm refers to as the "intransigent purist."Joseph Adelson in The New York Times Review of Books goes a bit over the line in paraphrasing: "Dr. Brenner takes the hardest of lines. Psychoanalysis is based upon inducing and interpreting the transference reaction. Anything that interferes with or distracts from it must be eschewed. Strictly. The analyst must maintain the most stringent incognito. Under no circumstances can he make known to the patient his opinions, values, interest or foibles, nor can he offer advice, criticism, reassurance or sympathy. If the analyst is late to a session, he must neither apologize nor explain why. He must attend - and make the patient attend - only to the thoughts, fantasies and feelings produced by his lateness. If the patient's child is gravely ill, the analyst should not express concern or sympathy. His task is limited to evoking and understanding the patient's reactions."He goes on to say that "this is a grim doctrine." On the contrary, I found it kind and accepting, or at least I found that my analyst was able to practice it that way. Frustrating, of course. But ultimately freeing in a way that a less austere approach might not be, leading to a clarity that might otherwise have been compromised. I suspect that much of the sense of grimness that analysts attribute to this purist perspective refers to grim abstinence on the part of the analyst. Certainly, it would be easier -- I would imagine -- to just act naturally, as one might at a party, to explain and indulge oneself and to engage in polite courtesies. This would certainly take a load off of the analyst -- it would be a lot less like work. Maintaining an accepting and encouraging attitude without recourse to these potential diversions is an exacting art. I came to appreciate the discipline most of all.Was my analysis a success? My symptoms are long since relieved. I'm happy with my life. How much of this do I attribute to analysis and how much to my own efforts (and good luck) away from the analyst's couch? I do not think I am supposed to be able to know that, but I find it hard to imagine how I could have worked through all I did and flowered in quite the way I have without that office and couch as workshop. And I find it hard not to admire and appreciate the way my analyst actively helped me in all of that hard work while keeping himself (mostly) out of it.This book was written over thirty years ago. Not knowing what has been going on inside the world of psychoanalysis since then, I could not say what has changed. There are other fascinating characters besides Brenner and his disciple Green (not his real name). I found the pioneering researcher of psychoanalysis and his drive to (tape) record sessions to be fascinating and admirable. I have read that findings from just this sort of research may have poured oil on the disputations as to therapeutic style, while identifying factors in the patient's or client's style and presentation which seem to have greater predictive value as to outcome.For various reasons, it has been said almost since this book was written that the golden age of psychoanalysis is long since over. The world does not have patience or money for long conversations where medications and brief interventions will suffice. If my experience has been an expensive anachronism, I consider it a gift and a luxury worth the time and price many times over.When I read this book, I find a window into something that can be that compelling a journey. Well done, Janet Malcolm.

I found this a fascinating description of how traditional psychoanalysts view and practice their profession. I could see why the author called this profession impossible. One would expect that analysts might be better adjusted personally, have a clear idea of what they do and how to do it, and have less hangups than the rest of us. Rather comforting, I guess, to learn that this is not at all true. Worth the price of the book to find this out.

The mind is a powerful tool and can do amazing feats and amazing damage. To get a view of what it s like on the psychoanalysts perspective was fascinating and at time disturbing. A truly worthwhile read.

I went into this book only knowing about Psychoanalysis what Janet Malcolm had told me in her excellent book, "In the Freud Archives." This book is extremely dense and had the habit of making me very sleepy, but for the length of my read I felt like something undefinable was happening; that I was gleaning some type of insight from the book subconsciously, which, if you've read the book, will seem like either incredible coincidence, or literary genius on Malcolm's part. This is top notch journalism.

Though Janet Malcolm is not a psychoanalyst (she was a very good journalist) she has probably written the best book (for the layman) about what psychoanalysis is about and the experience of psychoanalysis. A shorter version of this book was initially published in the New Yorker and the book is a very good expanded version of that article. AB

Beautifully written and moving account of what it like to be a psychoanalyst - both the positives and negatives.

I actually read this book twice... I'm really into psychoanalysis and theoretical work.. Janet Malcolm is definitely an analyst I'd recommend reading from. Very interesting.

As a psychologist and psychoanalyst I found Malcolm's book an accurate picture of the landscape of psychoanalytic theorizing and a telling account of the political and interpersonal complexities of the institutional framework for analytic training.

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Rabu, 16 Mei 2012

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Product details

Map: 1 pages

Publisher: Geographers' A-Z Map Co Ltd; 4th Revised edition edition (October 3, 2014)

Language: English

ISBN-10: 1782570470

ISBN-13: 978-1782570479

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Selasa, 15 Mei 2012

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Product details

File Size: 732 KB

Print Length: 445 pages

Simultaneous Device Usage: Unlimited

Publisher: Original Mix Media Inc; 1 edition (February 26, 2017)

Publication Date: February 26, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01N4X09SK

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I could not continue reading this book and stopped around chapter 3. I think it may be for teenagers, which I am not. The story line was so unrealistic that it was hard to relate.

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Sabtu, 12 Mei 2012

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Product details

File Size: 35004 KB

Print Length: 259 pages

Page Numbers Source ISBN: 0760360537

Publisher: Motorbooks; First edition (December 15, 2011)

Publication Date: December 15, 2011

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0074IDU12

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On the surface, this a beautiful, oversized book which is exactly as advertised-- an encyclopedic listing of outlaw motorcycle clubs worldwide. Each club has a little listing containing SOME information. Some have a box containing more info-- date, place of origin, locations, club colors (actual colors-- white, blue gold,etc.) and description of the club patch... and there SOME very nice photographs of SOME patches. Which brings me to my major beef-- NOT ENOUGH! It would have been very nice if at least most of the clubs had their patches pictured. Considering how many clubs have websites and E-mail addresses, this does'nt seem to be too big an expectation... What IS here is very nice---some beautiful photography and some essays by clubbers.. BUT---another beef, there are some inaccuracies and incompletes (nit picking? perhaps.) 1)FILTHY FEW is sub group within the Hells Angels MC ONLY, and a club that stole the name in New Zealand. It is NOT a "common idiom throughout the motorcycle culture". 2)The NUGGETS MC has not flown the described patch of "a beer drinking rabbit on a motorcycle" since it's very early days. Since the late 60's, they've flown their current patch--- a gold nugget with a motorcycle inside. They rode full dressers back then and morphed into choppers--an interesting fact not mentioned. 3)The Mongrel Mob of NZ should not have been included--- they wear cuts with patches but they DON'T RIDE. 4)The Gypsy Jokers is listed as a"classic club" and it is--- their patch is listed as a grinning skull... gee whiz, that's the Australian club who just appropriated the name and made up their own patch. The Aussies have since made a connection to the originals and adopted the real top and bottom rockers but kept the skull center patch. The REAL Gypsy Joker patch was and is a walking jester--- that's a real boner on the author's part. An annoying incomplete--"Curious about that demonic critter on the Pagan's patch?" sez the back cover and the blurb on Amazon--- Yeah, it's the norse fire demon Surtur or dark Surt, BUT they DON"t say that it's a direct lift from a 1963 issue of Marvel comic's JOURNEY INTO MYSTERY in a TALES OF ASGARD story drawn by one of the greatest comic book artists of the 20th century- JACK KIRBY. Despite these criticisms, it's still a cool book... One really funny feature is a reprint of a 1960's cop manuel on outlaw bikers--- so THAT'S where they got the idea that I had a shotgun rigged up in my handlebars!

The ONE PERCENTER ENCYCLOPEDIA alludes to being an A-Z authority on outlaw motorcycle clubs ... a one-stop shop for anything/everything pertaining to such clubs ... quite appealing to anyone curious in learning more about the outlaw biker culture. While the book provides a nicely organized listing of outlaw clubs with a decent collection of color photos, it lacks the substantive content I was expecting for a book with "encyclopedia" in its title.Organized alphabetically, THE ONE PERCENTER ENCYCLOPEDIA does provide general information about a large number of bike clubs, including a multitude of lesser-known groups. Most of the entries follow a standard base of details such as date of origin, estimated membership and the territory the clubs preside. As expected, the larger, more recognizable (infamous?) clubs receive more lavish, multiple-paged entries and more photographs, but not much .Considering the subject matter, the listing of clubs is likely incomplete/ever-changing and the availability of elaborate details is understandably scant as secrecy plays a part into the one-percenter culture; I don't fault the author for this. My issue is that the book could have been so much more, well ... "encyclopedic". It would have been nice to see the colors/patch accompanying each club entry. The larger clubs do have known histories (proven by the numerous television documentaries like the "Gangland" series and books written by actual members) that could have provided significantly more information, timelines, leadership, etc. Appendices could have shed light on the various add-on patches and symbolism. Other, overview topics could have been covered as well: the numerous other patches worn, crime, tattoos, the role of women in these groups, a timeline of significant events and how the culture has progressed/regressed over the years.The whole one-percenter culture is enigmatic, ominous and provocatively interesting to those who don't ride. I believe the ONE PERCENTER ENCYCLOPEDIA is an interesting and colorful presentation of a large list of outlaw biker clubs. One the surface, the book serves as a decent overview that covers a large number of the more obscure clubs and should satisfy those with little knowledge of such clubs. But for those who enjoy reading about biker clubs, the ONE PERCENTER ENCYCLOPEDIA will likely fall short of being the resource it is expected to be.

All I can say is that Mr. Hayes did a great job in telling what the clubs represent and how they have been misrepresented by the media as being villains when they actually are a brotherhood living by their own rules which by the constitution is everyone's right. Again he has done a great job. I highly recommend this encyclopedia for those wanting this insight.

I’m a member of a 1% club listed in this book and found it to be well done and an interesting addition to my library.

The title of this book is a bit misleading. When I saw that it is an Encyclopedia, I assumed that there would be information about the various OMC's; history, notable members, significant events about criminal involvement, etc.The book is merely an identification of OMC colors or patches with very little information about the clubs. My bad for making that assumption, but the book would be more fairly referred to as a OMC colors or patch picture book. I wanted the book for more of a historical purpose, something to show the evolution of the clubs, their conflicts, alliances and the dynamics of their criminal involvement. I should have done a little more research before I bought the book.

The book is missing more clubs than it contains. Those that are in it have very little information about them. Useless.

Good reading. 📚

A lot of information. Not very in depth however. Just club names, dates formed, and locales. Some are wrong. Some not included.

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Minggu, 06 Mei 2012

Ebook A Year in New York, by Elisha Cooper

Ebook A Year in New York, by Elisha Cooper

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A Year in New York, by Elisha Cooper

A Year in New York, by Elisha Cooper


A Year in New York, by Elisha Cooper


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A Year in New York, by Elisha Cooper

Review

As much as New Yorkers love their hometown, sometimes a newcomer, flush with fresh ardor, can create a better Valentine to the city. A Year in New York, illustrated and written by Elisha Cooper, is just such a love letter. After graduating from Yale, Cooper arrived in New York in the fall of 1993 to work at The New Yorker as a staff assistant (read "gofer"). He managed to write one "Talk of the Town" piece, but mostly made his presence known by writing internally distributed parodies of staff memos and drawing caricatures of editor's on the walls, in the best Thurber tradition. Cooper's facility with caricature makes his book a delight. It's much more concerned with the characters that the city what it is - the bike messengers, poets, and street performers - than with its landmark buildings. -- Time Out New YorkSo what is the allure of "A Year in New York," with its minimal text and fanciful artwork of cityscapes? The reader does re-discover (O.K., discover) a few new places within these pages. Elisha Cooper, in his first book, captures obvious venues - including Rockefeller Center and a subway station - but also reports on the unobvious, like a basketball court on 135th Street. The result is a sweet but, alas, ultimately annoying book. It exudes a neo-New York sensibility (young, clever, cool) but there is no grime in these portraits, no budget cuts. "A Year in New York" is perfect for an Iowan who loves to visit certain spots of the city (you know, the tourist spots), and who always wants to think of New York as a fun place. And even for many of the city's overwrought denizens, the book is part of the picture. New Yorkers like the whole megillah. -- New York Times Book Review February 26, 1996

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Product details

Hardcover: 96 pages

Publisher: City & Co; 1st edition (October 1, 1995)

Language: English

ISBN-10: 1885492243

ISBN-13: 978-1885492241

Product Dimensions:

6.5 x 0.8 x 6.8 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#3,200,087 in Books (See Top 100 in Books)

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