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Selasa, 30 September 2014

PDF Ebook Lives of the Artists: Portraits of Ten Artists Whose Work and Lifestyles Embody the Future of Contemporary Art, by Calvin Tomkins

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Lives of the Artists: Portraits of Ten Artists Whose Work and Lifestyles Embody the Future of Contemporary Art, by Calvin Tomkins

Lives of the Artists: Portraits of Ten Artists Whose Work and Lifestyles Embody the Future of Contemporary Art, by Calvin Tomkins


Lives of the Artists: Portraits of Ten Artists Whose Work and Lifestyles Embody the Future of Contemporary Art, by Calvin Tomkins


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Lives of the Artists: Portraits of Ten Artists Whose Work and Lifestyles Embody the Future of Contemporary Art, by Calvin Tomkins

Review

“This is art history live.” ―Massimiliano Gioni, Director of Special Exhibitions, The New Museum of Contemporary Art“To match Tomkins in art of the brief life for keenness of wit and sharpness of observation, one must go back to Lytton Strachey.” ―Louis Auchincloss“Tomkins's access is astonishing . . . A deft biographer, he gives a lesson in his craft: how to balance present with past, the specific with the general, personality with context, features with flaws--all in the space of 20 pages. Tomkins is a ruthless observer. . . . He is also a generous critic of the cult of artistic personality. . . . Books [from] the New Yorker have become a small industry, but not all are as intimate as this one.” ―Publishers Weekly (starred review)

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About the Author

Calvin Tomkins, winner of the Clark Prize for art writing, has written more than a dozen books, including The Bride and the Bachelors, the bestseller Living Well Is the Best Revenge, and the critically acclaimed biography Duchamp. He lives in New York City with his wife, Dodie Kazanjian.

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Product details

Paperback: 272 pages

Publisher: Holt Paperbacks (January 5, 2010)

Language: English

ISBN-10: 0805091440

ISBN-13: 978-0805091441

Product Dimensions:

5.3 x 0.7 x 8 inches

Shipping Weight: 13.4 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

19 customer reviews

Amazon Best Sellers Rank:

#408,670 in Books (See Top 100 in Books)

I am a general reader and a general lover of the visual arts, who often finds contemporary conceptual art difficult to keep up with. I turn to books like Lives of the Artists in an attempt to keep current and for interesting conversation. Lives of the Artists, with its emphasis on the artists' lives rather than art genres and trends makes it more interesting conversation than edification, but that's okay.Tomkins, art critic for The New Yorker, had years of articles from which to choose, and he chose biography as his organizing theme, a la Giorgio Vasari, of the movers and shakers in the contemporary international art world. His selection skews to the most controversial, provocative and/or innovative: Jasper Johns, Maurizio Cattelan, Cindy Sherman, Damien Hirst, Jeff Koons, James Turrell, Julian Schnabel, John Currin, Richard Serra and Matthew Barney. Tomkins does a good job of introducing the artist in a current scene, before cutting to the back story to scribe the arc of career, inspiration and critical reaction. This mostly works, though the first profile in the collection, of Damien Hirst, had the ring of a VH1 "Behind the Music" rock star story. Tomkins provides updates on each career, current as of 2008 when this book was prepared. Alas, there are no illustrations, no images of the subjects' work or of them.One thing I could not help but notice about the collection: though the author notes in his preface that there are thousands of working artists living and producing in New York City alone, and he had years of his own profiles to select from, he chose a line-up that is starkly white, and with the exception of Cindy Sherman, male. Women mostly appear as bit players in these stories, as girlfriends, wives, muses, studio assistants and, in a couple of instances, "porno" subjects. Is this representative of the world of art right now? It feels more like the night before the women's and civil rights movements injected a more inclusive diversity into our cultural reflection.

Capsule reviews of the lives and works ten important artists. No pics, which a critic quoted on the back cover claims to be an advantage. Yeah, yeah -- none of those distracting images! With the internet that's not a big disadvantage, but it's certainly more distracting to get up and google than to turn the page.Written in a breezy, well-informed style which I generally like -- I've read a number of Tomkins' books -- but several non sequiturs slipped by his editor. I occasionally got the feeling that the text had been dictated, with minimal revisions. But lots of good facts and impressions, from an author who has spent, in some cases, decades getting to know his subjects.

I love this writer. He has a bit of everything, intelligent, but not pretentious. Insightful and just enough juice. He has a sense of the times and ART. I LOVED Living Well is the Best Revenge, How can you not love that Title. I use it all the time to get through difficult times.This is a tremendous read, RICH and extremely resourceful. The subjects are all intelligent, successful human beings, a great study and the work is brilliantly portrayed, VIVID. Tomkins is an extremely visual writer. Brilliant.This is also an important piece of work for the Arts. Its a testament to the times of the artwork and the lives of the artists. Great Work.

I love this book. A great look at wildly different artists who have made their mark in Western culture and, thanks to Calvin Tomkins, in me. Interesting, intimate, personal but never fawning or self-conscious.One really big complaint though...not the writing but eBook technology: why is "performance" always spelled "per for mance?" Many other words were consistently mangled. Several sections were marred by this kind sloppy formatting that I seriously doubt was seen in the "analog" version. I think I deserve my money back. I'm sure if I submitted a manuscript with these kind of errors to Amazon, I'd be laughed out of a contract. Fix it!

Great profiles of contemporary artists by the New York writer Calvin Tompkins. By combining biography, personal interviews and insights into the craft of each artist, Tompkins leaves the reader feeling as if she had been there as well. Like their work or not, Tompkins helps you to understand it.

Great book! I do like the writing and conversation with different artist. It is worth to read it. I will read again when have more time.

Tompkins gets to know the artists, he visits their homes and studios, he parties with them and meets their significant others. He is not judgemental. He doesnt offer his opinions and for the duration of his essays I felt as if I had a window into the thought process and lives of the artists. This book is well worth reading if one is interested in art, especially contemporary art, and want to know about the artists who create it. It is readable, well written and fun.

Something of a back stage view of many of the hero's of this days art and no doubt the sight to today given to future generations. Excellent.

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Lives of the Artists: Portraits of Ten Artists Whose Work and Lifestyles Embody the Future of Contemporary Art, by Calvin Tomkins PDF

Lives of the Artists: Portraits of Ten Artists Whose Work and Lifestyles Embody the Future of Contemporary Art, by Calvin Tomkins PDF
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Senin, 29 September 2014

PDF Ebook Earth Science (AGS)

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Earth Science (AGS)

Product details

Hardcover: 396 pages

Publisher: AGS Pub (January 30, 2006)

Language: English

ISBN-10: 0785436359

ISBN-13: 978-0785436355

Product Dimensions:

7.6 x 0.9 x 9.4 inches

Shipping Weight: 2 pounds

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#763,643 in Books (See Top 100 in Books)

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Jumat, 19 September 2014

Free Download Arrogance and Accords: The Inside Story of the Honda Scandal, by Steve Lynch

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Arrogance and Accords: The Inside Story of the Honda Scandal, by Steve Lynch


Arrogance and Accords: The Inside Story of the Honda Scandal, by Steve Lynch


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Arrogance and Accords: The Inside Story of the Honda Scandal, by Steve Lynch

Review

For all of the things right about Honda in the 1970s and 80s, there was something terribly wrong inside the house of Honda. Evidence suggests that high-ranking U.S. executives were shaking down their own dealers for cash or, in some cases, were forcing dealers to make the executives literal partners in their franchises. In return, dealers were allotted more cars - there were never enough to go around - or better yet, additional dealerships. Former Honda marketing executive Steve Lynch covers it all, from a unique insider's perspective, in Arrogance and Accords: The Inside Story of the Honda Scandal. Commendably, Lynch handles the story with balance, never tearing into personalities for their transgressions, but simply reporting the story. Arrogance and Accords is often fascinating, always compelling. It should be required reading in business-ethics courses. Maybe some of Honda's former executives could teach the classes as part of their work-release program. -- Ed Wallace - Car and Driver magazine, February 1998Steve Lynch, a former Honda marketing exec and author of Arrogance and Accords: The Inside Story of the Honda Scandal, describes a scene in this book in such extraordinary detail that it stays with the reader throughout the 300-plus pages that chronicles the largest commercial corruption case in U.S. Lynch tells the sordid tale with a perspective and authority that only he can provide - the Santa Paula dealership, for example. Lynch was there, and he confesses that "he was no choir boy." -- Michele Krebs - Autoweek magazine, February 16, 1998

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About the Author

Steve Lynch grew up in the shadow of the Studebaker automobile factory in South Bend, Indiana, and attended Indiana University. Lynch spent 13 years in the world of Honda, rising from a Honda dealership showroom floor to the executive offices of American Honda Motor Company, where he was in charge of regional marketing. Lynch also worked for Honda's advertising agency. He lives in Dallas, Texas.

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Product details

Hardcover: 310 pages

Publisher: Pecos Press (November 19, 1997)

Language: English

ISBN-10: 0965776611

ISBN-13: 978-0965776615

Product Dimensions:

6.5 x 1.2 x 9.5 inches

Shipping Weight: 1.4 pounds

Average Customer Review:

4.5 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#278,860 in Books (See Top 100 in Books)

The author's accounting of the events were fascinating, especially due to how unfamiliar I was with the state of American Honda throughout the 80s. I would quickly recommend to any car enthusiast.My only gripes are that the author had a habit of being a bit repetitious, and had a long cast of those involved, sometimes adding more anecdotes are irrelevant information than was strictly necessary, but was overall appreciated.

I grew up in the car business during this time and only heard about this. This book brought me into the story and gave me a good understanding of some of the way these (still dealers) got their start in the business. And not in a good way.

I loved the book though it made me angry. I and sure that the Honda Corporation isn't as corrupt as the individuals in this book were, and hopefully they (Honda) have established some morals as to how their executives conduct themselves. But, the damage has been done! This book made me angry at how greed runs so rampant in the auto industry. Angry how such a ruthless, vile human being could be held in so high regard by a sporting body. This book has made me decide to never look at a Honda automobile ever again, and I did own one. And every time I watch a NASCAR race and a Hendrick car is leading, I will always question the legality of that car! Thank you to Steve Lynch for writing a powerful book about how power and money can be so corruptive! I highly recommend this book for anyone who is a fan of Honda cars, and for anyone who is a fan of any driver who works for Rick Hendrick. It will open your eyes!

This apparently out-of-print book exposes a side of Honda USA that is shockingly different from the image Honda has cultivated world-wide. It reads like a novel about the Mob, but is real stuff about the "good old boys" at the USA arm of Honda. Bribes, shakedowns, intrigue, threats, suicides all part of how the executives and managers in the automobile distribution chain made illegal millions extorted from dealers. After reading this book, I'll never look at an Accord with the warm feelings and regard I once had toward this flagship model -- nor the company behind it.

A gift, o feed back

Great true story with a proper insight to the automobile industry

Steve Lynch has a passion for Honda automobiles. Such passion helps animate and propel his eyewitness account of the long-running bribery that occurred within Honda Motor Company's American branch.Lynch's love of Honda shows in his opening account of the dismal state of the American automobile scene circa 1981. There is a certain glee with which Lynch contrasts the high quality of Honda's product with the lesser quality of American marques. Such contrasts in quality proved important, as Honda was able to sell cars without extensive marketing campaigns.But as Honda became more successful, bribery and graft within the American division grew higher and more audacious. The prince of payola at American Honda was John "Jack" Billmyer, who "wallowed in the kickbacks of dealers" throughout the country. Following in Billmyer's footsteps was his successor as chief of national sales, Stanley James Cardiges, nicknamed Jim Car-Jesus, The God of Honda automobiles.One of the biggest dealer-influence-peddlers who played ball with Billmyer and Cardiges was NASCAR team owner Rick Hendrick. Hendrick and Billmyer went back to Rick's youth as a hot rodder in North Carolina, and Billmyer was instrumental in getting Hendrick going in car sales. Lynch shows how Hendrick wielded undue influence with the company and was thus able to acquire far more car stores than anyone else. "All it took," writes Lynch, "were a few gifts."Lynch notes that most car companies limit dealers to about six stores, but Hendrick didn't believe such a rule should apply to him, and in Honda he found a company that officially did not have such a rule.Lynch details how Hendrick used bribes and influence in Honda to bankrupt rival dealers - such as William Van Dalsam of California and Dick Young of South Carolina - and then poach their stores. A story not mentioned in the book adds to the scenario - reportedly, former NASCAR driver Dick Brooks was approached by Hendrick, who wanted to purchase his three dealerships. Brooks refused, and next thing he knew, cars slated for his shops were going to Hendrick's facilities.Lynch carries the story through the trial and convictions of over 22 defendents, including Hendrick. There is a hint of disappointment in Lynch as he notes that, with Hendrick's guilty plea to one count of mail fraud (pertaining to one of the largest bribes to Cardiges), the probe of the Honda scandal seemed to close.Lynch also notes a lesser-reported angle of the story - how Hendrick reportedly also bribed Lexus. Given this record, one has to wonder if Hendrick has used such tactics with General Motors as well, given the near-monopolistic clout and engineering backing from GM his NASCAR race teams wield.Not just NASCAR fans, but anyone interested in cars should read this book.

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